Upon Waking: Week Two of The Artist’s Way

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I’m two weeks in with The Artist’s Way Workbook, and have done my morning pages every day except for one. Not sure why I forgot that day, but I got right back to it the next morning and I’m glad for the practice. It’s helping me unload some nighttime/early rising thoughts, and providing a sense of both inspiration and accomplishment. I’m not reviewing the pages or belaboring the content, per the instructions, just writing and releasing. I can’t say it necessarily alleviates all that weighs on me, but it’s helping, this practice, and it’s even revealed a couple of story ideas for The Big Project I’m working on.

I’ve taken two Artist Dates, one to garage sales in search of art supplies—found a great drop cloth and paints—and another for a walk, during which the aim was not exercise but nature observation. Captured a few pictures and collected some acorns and horse apples and such. This is not earth-shattering blog content, I realize. But The Artist’s Way is equipping me for building a foundation upon which to rededicate myself to the writing life, a life I have fought against with jobs that don’t suit me and depression that threatens to stifle my efforts and betray my confidence.

“You must love to write and bear the loneliness,” says Robert McKee in Story. “But the love of a good story, of terrific characters and a world driven by your passion, courage, and creative gifts is still not enough. Your goal must be a good story well told.”

From Regret to Writing: Working The Artist’s Way

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I have friends who say they don’t like to use the word “regret,” I guess because they don’t want to admit they’d appreciate a do-over or two. I’m okay with the word, for I think if you don’t have at least a couple of regrets then maybe you haven’t really been living. As for a definition, the dictionary says: “to feel sad, repentant, or disappointed over (something that has happened or been done, especially a loss or missed opportunity).” If you’re telling me you’ve never been blue about a misstep or a neglected chance, I’m not sure I believe you.

Certainly there are things I would have done differently: I wish I’d lived in New England for a while, mainly because I’ve convinced myself everyone there is really smart and attractive in a rugged yet sophisticated sort of way. I would have been less uptight when I was younger, and taken a few more risks.

But the One Real Regret I’ll have is not doing more with my writing. I’m not even sure what that means just yet, but I’m going to find out. And I’m hoping that by talking about it out loud it will become more real somehow.

First step: Making my way through The Artist’s Way Workbook. I’ve long been familiar with Julia Cameron, and have relied on her books in my teaching. When I heard her speak in Santa Monica some twenty-plus years ago, I knew her work would influence me. I just didn’t know it would one day be the creative lifeline I view it to be now.

This week’s exercise focused on “enemies of your creative self worth.” Write it all down, even something that might seem petty, came the instructions. It all matters. So I let rip about some dismissive things said to me as a teen, and a boss I had in my twenties who was so careless with his authority that a year after I’d quit a co-worker called to say he’d just pulled with her what he had with me, telling us we might have chosen the wrong profession, even though there was no evidence to suggest that unless you counted his arrogance. Man do I sometimes wish I could show him how well things worked out for me in that very profession, but I don’t regret not telling him off, for that would just be, well, rude.

It might not make sense for regret to lead me to The Artist’s Way, but it has. And I’m going to trust it’s where I need to be every day for the twelve weeks laid out in the workbook, writing my Morning Pages, doing the exercises, taking my Artist Dates. Listening and learning—or re-learning or un-learning—and reporting back: to myself, to you, to the Creator.

Amy Lyles Wilson

P.S. Do you have a potential One Real Regret? If so, how might you prevent it?

A Good Enough Day

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Upon returning home from an idyllic two-week trip to my favorite place, Chautauqua , I was met by a frantic puppy with sharp little teeth, loads of laundry, work to catch up on, and a world in upheaval. Being the highly sensitive person that I am–a middle-aged goober who can feel overwhelmed in crowds or when witnessing conflict–it all seemed too much. So yesterday I concentrated on the basics: Take a shower, make at least a little progress on an editorial assignment, and keep the two appointments I had scheduled. I’m glad I did, as I’m always made better when I get up and go, even if the movement is slight, like a short walk through my neighborhood. As evening settled over Nashville, I headed for my gratitude journal. This practice of stopping and taking stock both reassures and renews me, and I can get off center fairly easily if I don’t do it. Honoring that which matters is a sacred act.

To wit: Friends who didn’t freak out when I met them for lunch and said, “Good to see you. I may cry while we eat.” Instead, they offered, “Go ahead. We might, too.” The three of us are in that stage of life where we’ve lost—or our losing—our parents; our health is throwing us curve balls; and we’re letting go of some time-bound dreams while still pursuing the ones we care about the most. We are doing the best we can, and we are not giving up even if we have to slow down a bit and order salads instead of cheeseburgers.

In my younger days, I probably thought “good enough” meant I wasn’t living up to my potential, or that I was settling. At this stage of my life, I know it means the freedom and self-assurance to live well, without comparison to others’ accomplishments or accumulations, without wondering “Would my life have been better if…?”

So on this day, I’m thankful for a good therapist, the playfulness of said frantic puppy with the sharp little teeth, a husband who knows how to cook, my writing partner who sat across from me for three hours as we wrote our hearts out, and this amazing sky.

It is good enough and plenty.

Amy Lyles Wilson

P.S. What are you grateful for, at this very minute?

MayBelle on Marriage {Don’t Worry, This Won’t Take Long}

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Back in 2002, at age forty-one, MayBelle, who theretofore had been considered an “old maid,” transitioned to someone who “married late.” She resents both those descriptors, as you might imagine MayBelle would, because there were no guarantees—or requirements—she would ever marry. MayBelle is delighted that cultural norms have shifted at least somewhat although not enough to suit her–especially in the Deep South where she lives–toward realizing marriage is not the only route to happiness.

One element of such partnering is a numbers game, along with a dash or two of serendipity and a handful of what might only be described as “secret ingredients.” MayBelle’s parents did not promise her a prince, riding a horse or otherwise. They were too busy telling her she had to go to graduate school so she would be positioned to support herself. MayBelle is driven to distraction by people who fill little girls’ heads with seemingly surefire notions of weddings and white-picket-fence happily ever afters (is this really a thing?) as if it’s a done deal. Some folks get it, and some don’t. (MayBelle knows she’s talked about this before, but that’s how much it bugs her. She appreciates your indulgence.)

Several of MayBelle’s mentors have been women who never married. Her Aunt Vannie, for example, who lit out from Water Valley, Mississippi, for Greenwich Village and made a life for herself by herself. What a fabulous broad she was. MayBelle still wears a shawl (black and white, from England) and a big ol’ topaz ring she got from Vannie, that enticing woman now long laid low. And her Aunt Theora, who took up painting later in life and developed into an acclaimed, self-taught artist.

Here’s another thing MayBelle loathes: “Why did you wait so long to marry?” Because, she wants to snap back, it took that long for Precious to get here. Plus, if you must know, the only guy who asked her before that was drunk at the time, and the only one she thought she might have wanted ended up marrying a friend of hers. Two friends, actually, after the first one divorced him.

MayBelle may have been a little slow to matters of the heart, not having dated much in her life, but she did know enough not to say “I do” simply to avoid living alone. So when MayBelle and Precious, who is six years older than she, announced they were getting married she thinks they were as surprised as anyone. And really, really, grateful.

MayBelle heard the whispers, though, people saying they wondered if she knew everything about him, and did he know how much MayBelle adored (the word “worshipped” might have been employed, for emphasis) her father?

“No wonder she didn’t marry until after her father died,” was an especially insightful barb tossed her way. (Did MayBelle’s sarcastic tone come through there? If not, let her know and she’ll try again.) Baggage all around. Of course there’s baggage, MayBelle wanted to shout; we’re alive, aren’t we? And in our forties, for goodness sake. No baggage, no fully lived life, thinks MayBelle.

Those comments reminded MayBelle, in an intensely personal way, about the need for minding one’s own business: Don’t think you know best about other people’s lives. Tend your own instead.

And here they are, celebrating fifteen years of marriage. It’s not a lifetime, they realize, or an assurance of fifteen more, but it’s what they’ve got, and they’ll take it. They celebrated, in part, by hiking to a beautiful spot in western North Carolina, even though Precious’ idea of outdoorsy is being on the golf course and MayBelle has only recently taken to exercising. This is what marriage looks like to them: Walking side by side, even when the husband wears shoes meant for strolling, not trail trekking, and the wife keeps asking if they should turn back. Four feet, two hearts, one team.

MayBelle and Precious are not the kind of people who think love is enough. They don’t post on social media (Can you imagine Precious on Facebook?) about having “the most perfect spouse in the world,” and they don’t take much for granted. They think you need love, sure, but you also need luck, and a bit of work. Commitment helps, and trust, and all sorts of other intangible components that contribute to tangible sustainability.

So MayBelle and Precious can both tell you when they “ just knew” they were meant to be together, although they can’t necessarily tell you one another’s favorite flavor of ice cream. And no, they don’t have an “our song,” but if they did, it would be John Hiatt’s “Have a Little Faith in Me.”

 

 

 

 

Estate Sale Blues {On What’s Left Behind}

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Seen at yet another estate sale. MayBelle’s mother used to wear Ferragamos, before she got so old, she’d say, that she had to trade fashion for function.

Often MayBelle doesn’t miss her deceased parents on those days you might consider made for mourning: death anniversaries, family birthdays, major holidays. Most likely she begins to cry, or is forced to her knees, at unpredictable times and in unexpected places.

Like this weekend, when she went to an estate sale, the kind where it’s obvious someone has left the house for good, as opposed to a garage sale intended to make room for more stuff. What’s left is what’s left behind, after the inhabitant has died or moved to a retirement community or skilled nursing facility, perhaps. For some reason, in her mother’s final days, MayBelle much preferred “skilled nursing facility” over “nursing home.” She was choosing her words deliberately, she surmises, so that she might survive the fact that her mother could no longer care for herself in a meaningful way.

MayBelle knows the territory because she’s been there, deciding what stays in the family, what gets donated or sold, what needs to be discarded. How to choose between a memory and a marble candlestick? Indeed.

As she made her way through the tidy townhouse, MayBelle looked for old postcards and photographs, small things she might use as writing prompts or for her art projects. Exiting a bedroom she glanced in the closet, where she noticed clothes like her mother wore in her later years: matching, machine washable, sturdy with a hint of style. MayBelle began to weep, seeing the same brands she and her sisters used to buy for their mother, clinging to any last gesture they might offer her when so much had been taken away. For a while there, MayBelle could tell any woman of a certain era where to get the best deals on Alfred Dunner and high-waisted cotton underwear.

MayBelle is what’s known as a “highly sensitive person”—yes, it’s a thing—and she can be moved to despair at warp speed. Bless her heart. She is also a person with an estate sale problem. Probably she should not spend so much time rummaging around in the pasts of strangers, as it often makes her sad and she does not need even one more tea towel. But this weekend it is where MayBelle found herself, wondering what had happened to the homeowner (was it a happy life?), forking over eleven dollars, and missing her mother.