“Ten Tiny Changes”: The Artist’s Way

 

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I’m beginning to realize that my current sensitivity around the state of the world and the state of my own emotional well-being is not just a day or two of the blues. It is a tender stage of life I must make my way through.

At fifty-six, I find myself restless, wondering if I’ve done enough and curious about what more there might be to do and what it might look like. New career? Different town? Stay the course? Get a facelift?

Some folks say I think too much, worry more than I should. Guilty as charged. But I’ve spent a lot of time trying not to be what I am: highly sensitive and hyper aware. And I’m too old for that now. Instead I choose to embrace these qualities and work with them as best I can. There are some upsides: curiosity, empathy, creativity, trustworthiness, and a willingness to hang out in the trenches with people who are hurting. Some of the challenges include: taking on problems that aren’t mine to solve; an inability to filter out what I don’t need to absorb; overreacting to perceived injustices; and accepting what’s mine to do and laying down the rest.

In order to make my way in the world without becoming completely overwhelmed, I need to get quiet and listen deeply—to myself and my Creator. One way I’m doing that right now is by working my way through The Artist’s Way Workbook. The current assignment is to list “Ten Tiny Changes” I’d like to make and then crafting goals from those. This an effective way to streamline what’s important to me. For example, from “I want to publish a book,” I get, “I will write every day.” From “I would like to teach part time,” I move to, “I will apply for the adjunct job at the university.” From “I would like to start my spiritual direction practice,” I come up with, “I will reach out to friends in the spiritual community for advice.” Wanting to lose weight morphs into, “I will walk five times a week.”

It may seem straightforward, like a “no brainer” to those who are more single minded and pragmatic, that you would list your goals and then set about tackling them. But for someone like me, who can become convinced fairly easily that I should be doing something else–or worse, that I should “be” someone else–the act of breaking my goals down into “tiny changes” is helpful. Let’s see how it goes…

Amy Lyles Wilson

P.S. How do you focus and make progress on your goals and dreams?

From Regret to Writing: Working The Artist’s Way

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I have friends who say they don’t like to use the word “regret,” I guess because they don’t want to admit they’d appreciate a do-over or two. I’m okay with the word, for I think if you don’t have at least a couple of regrets then maybe you haven’t really been living. As for a definition, the dictionary says: “to feel sad, repentant, or disappointed over (something that has happened or been done, especially a loss or missed opportunity).” If you’re telling me you’ve never been blue about a misstep or a neglected chance, I’m not sure I believe you.

Certainly there are things I would have done differently: I wish I’d lived in New England for a while, mainly because I’ve convinced myself everyone there is really smart and attractive in a rugged yet sophisticated sort of way. I would have been less uptight when I was younger, and taken a few more risks.

But the One Real Regret I’ll have is not doing more with my writing. I’m not even sure what that means just yet, but I’m going to find out. And I’m hoping that by talking about it out loud it will become more real somehow.

First step: Making my way through The Artist’s Way Workbook. I’ve long been familiar with Julia Cameron, and have relied on her books in my teaching. When I heard her speak in Santa Monica some twenty-plus years ago, I knew her work would influence me. I just didn’t know it would one day be the creative lifeline I view it to be now.

This week’s exercise focused on “enemies of your creative self worth.” Write it all down, even something that might seem petty, came the instructions. It all matters. So I let rip about some dismissive things said to me as a teen, and a boss I had in my twenties who was so careless with his authority that a year after I’d quit a co-worker called to say he’d just pulled with her what he had with me, telling us we might have chosen the wrong profession, even though there was no evidence to suggest that unless you counted his arrogance. Man do I sometimes wish I could show him how well things worked out for me in that very profession, but I don’t regret not telling him off, for that would just be, well, rude.

It might not make sense for regret to lead me to The Artist’s Way, but it has. And I’m going to trust it’s where I need to be every day for the twelve weeks laid out in the workbook, writing my Morning Pages, doing the exercises, taking my Artist Dates. Listening and learning—or re-learning or un-learning—and reporting back: to myself, to you, to the Creator.

Amy Lyles Wilson

P.S. Do you have a potential One Real Regret? If so, how might you prevent it?

MayBelle on Marriage {Don’t Worry, This Won’t Take Long}

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Back in 2002, at age forty-one, MayBelle, who theretofore had been considered an “old maid,” transitioned to someone who “married late.” She resents both those descriptors, as you might imagine MayBelle would, because there were no guarantees—or requirements—she would ever marry. MayBelle is delighted that cultural norms have shifted at least somewhat although not enough to suit her–especially in the Deep South where she lives–toward realizing marriage is not the only route to happiness.

One element of such partnering is a numbers game, along with a dash or two of serendipity and a handful of what might only be described as “secret ingredients.” MayBelle’s parents did not promise her a prince, riding a horse or otherwise. They were too busy telling her she had to go to graduate school so she would be positioned to support herself. MayBelle is driven to distraction by people who fill little girls’ heads with seemingly surefire notions of weddings and white-picket-fence happily ever afters (is this really a thing?) as if it’s a done deal. Some folks get it, and some don’t. (MayBelle knows she’s talked about this before, but that’s how much it bugs her. She appreciates your indulgence.)

Several of MayBelle’s mentors have been women who never married. Her Aunt Vannie, for example, who lit out from Water Valley, Mississippi, for Greenwich Village and made a life for herself by herself. What a fabulous broad she was. MayBelle still wears a shawl (black and white, from England) and a big ol’ topaz ring she got from Vannie, that enticing woman now long laid low. And her Aunt Theora, who took up painting later in life and developed into an acclaimed, self-taught artist.

Here’s another thing MayBelle loathes: “Why did you wait so long to marry?” Because, she wants to snap back, it took that long for Precious to get here. Plus, if you must know, the only guy who asked her before that was drunk at the time, and the only one she thought she might have wanted ended up marrying a friend of hers. Two friends, actually, after the first one divorced him.

MayBelle may have been a little slow to matters of the heart, not having dated much in her life, but she did know enough not to say “I do” simply to avoid living alone. So when MayBelle and Precious, who is six years older than she, announced they were getting married she thinks they were as surprised as anyone. And really, really, grateful.

MayBelle heard the whispers, though, people saying they wondered if she knew everything about him, and did he know how much MayBelle adored (the word “worshipped” might have been employed, for emphasis) her father?

“No wonder she didn’t marry until after her father died,” was an especially insightful barb tossed her way. (Did MayBelle’s sarcastic tone come through there? If not, let her know and she’ll try again.) Baggage all around. Of course there’s baggage, MayBelle wanted to shout; we’re alive, aren’t we? And in our forties, for goodness sake. No baggage, no fully lived life, thinks MayBelle.

Those comments reminded MayBelle, in an intensely personal way, about the need for minding one’s own business: Don’t think you know best about other people’s lives. Tend your own instead.

And here they are, celebrating fifteen years of marriage. It’s not a lifetime, they realize, or an assurance of fifteen more, but it’s what they’ve got, and they’ll take it. They celebrated, in part, by hiking to a beautiful spot in western North Carolina, even though Precious’ idea of outdoorsy is being on the golf course and MayBelle has only recently taken to exercising. This is what marriage looks like to them: Walking side by side, even when the husband wears shoes meant for strolling, not trail trekking, and the wife keeps asking if they should turn back. Four feet, two hearts, one team.

MayBelle and Precious are not the kind of people who think love is enough. They don’t post on social media (Can you imagine Precious on Facebook?) about having “the most perfect spouse in the world,” and they don’t take much for granted. They think you need love, sure, but you also need luck, and a bit of work. Commitment helps, and trust, and all sorts of other intangible components that contribute to tangible sustainability.

So MayBelle and Precious can both tell you when they “ just knew” they were meant to be together, although they can’t necessarily tell you one another’s favorite flavor of ice cream. And no, they don’t have an “our song,” but if they did, it would be John Hiatt’s “Have a Little Faith in Me.”

 

 

 

 

Estate Sale Blues {On What’s Left Behind}

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Seen at yet another estate sale. MayBelle’s mother used to wear Ferragamos, before she got so old, she’d say, that she had to trade fashion for function.

Often MayBelle doesn’t miss her deceased parents on those days you might consider made for mourning: death anniversaries, family birthdays, major holidays. Most likely she begins to cry, or is forced to her knees, at unpredictable times and in unexpected places.

Like this weekend, when she went to an estate sale, the kind where it’s obvious someone has left the house for good, as opposed to a garage sale intended to make room for more stuff. What’s left is what’s left behind, after the inhabitant has died or moved to a retirement community or skilled nursing facility, perhaps. For some reason, in her mother’s final days, MayBelle much preferred “skilled nursing facility” over “nursing home.” She was choosing her words deliberately, she surmises, so that she might survive the fact that her mother could no longer care for herself in a meaningful way.

MayBelle knows the territory because she’s been there, deciding what stays in the family, what gets donated or sold, what needs to be discarded. How to choose between a memory and a marble candlestick? Indeed.

As she made her way through the tidy townhouse, MayBelle looked for old postcards and photographs, small things she might use as writing prompts or for her art projects. Exiting a bedroom she glanced in the closet, where she noticed clothes like her mother wore in her later years: matching, machine washable, sturdy with a hint of style. MayBelle began to weep, seeing the same brands she and her sisters used to buy for their mother, clinging to any last gesture they might offer her when so much had been taken away. For a while there, MayBelle could tell any woman of a certain era where to get the best deals on Alfred Dunner and high-waisted cotton underwear.

MayBelle is what’s known as a “highly sensitive person”—yes, it’s a thing—and she can be moved to despair at warp speed. Bless her heart. She is also a person with an estate sale problem. Probably she should not spend so much time rummaging around in the pasts of strangers, as it often makes her sad and she does not need even one more tea towel. But this weekend it is where MayBelle found herself, wondering what had happened to the homeowner (was it a happy life?), forking over eleven dollars, and missing her mother.

And Then a Crow Ate a Goldfinch. {Every patient has a story.}

img_6788I lose it about 4 a.m. on Wednesday. I think I scare the nurse a bit, for it must be like seeing his mother break down. That’s how young he is. And he is great at his job. Also, a doll.

“I need to draw more blood,” he says. “Another culture.”

This means taking a good bit of blood. How do I have any to spare? I start to cry.

He stands in the doorway a few seconds, unsure.

“I just need a minute,” I say, grabbing for some tissues. “I don’t think it’s all that strange for me to feel frustrated.”

It’s as if, as usual—I’ve done it all my life so I shouldn’t be surprised—I’m seeking permission. Approval.

“Of course,” he says. “I know it’s hard. We’ll get you through this.”

Oh, those words, precious boy. He doesn’t say they’ll cure me, or that it will be easy, or that he has answers. Just: We’ll get you through this. Pardon the cliché but it is just what the doctor ordered. (Or should have.)

Later Wednesday morning I feel a bit better, but there is still no diagnosis. Some big things have been ruled out. The hematologist tells me this happens more often than you might think, that an infection invades your body and you never know its source.

Then, toward evening, I see a crow eating a goldfinch. Right there on the ledge outside my window. I notice little bits of fluff wandering around the sky, and I see the crow picking at something at its feet. When it turns over its prey, there is a brilliant flash of yellow. I am mesmerized, trying to decide if this is a sign of some sort for me—the cycle of life and death and all—or merely nature doing its thing. And if it is the cycle of life and death, which will it be for me? I am sad and mesmerized by nature all at once.

I can’t get to my phone to take a picture and while I hear you saying, “Bless her heart. She was probably hopped up on good drugs and just imagines she saw a crow eating a goldfinch,” let me remind you that when I ask for some calming medication, I am given melatonin, people, not anything mood inducing. (And when I tell the nurse the melatonin didn’t really do the trick, I am given MORE melatonin.)

I decide not to take the crow incident as a sign and instead say a blessing of gratitude for all that nature–and man–is capable of. I go back to watching Gilmore Girls. I didn’t follow the series when it first aired and I am quickly becoming hooked. Hooked, I tell you. I want to dress like Lorelei (sp?), drink coffee out of bowl-like mugs, and matriculate at Yale. Somebody get me out of here…

My dinner is pretty tasty, and, ta da, is actually what I ordered. (Several times my order was not what I ordered and that was disappointing. Not a big deal, but when what you have to look forward to is a biscuit with turkey sausage and you don’t get it, it can seem like a much bigger deal than it would on a regular day, like when you don’t think you’re dying and there isn’t a crow eating a goldfinch outside your window.)

When I wake up on Thursday morning I am covered in sweat. Instead of being grossed out, I am delighted, as I think it means I am on the mend.

“I think my fever broke,” I text Precious.

“On my way,” comes his reply.

Several hours later the doctors tell me my white count is on the upswing, my fever is down, and I’m free to go. Still no diagnosis, and oral antibiotics and follow-up checks will be necessary. I’m a little scared to leave, actually, what with the not knowing and all. But apparently if I want to wait until I get some sort of definitive answer, a reason, I will be hospitalized for a very long time.

Although I have never believed in a puppeteer kind of God, a deity that picks and chooses who will suffer and who will flourish and decides which of us needs to learn a lesson and which folks can afford to skip class, I must say I’m trying to see this experience as a learning opportunity for me, in that I have long been one who wanted to figure everything out, to have a cause and effect that I could grasp. To understand. Even if it was bad, I’d say, I want to know. And now I don’t. I am being called to lean into the mystery, so lean I shall.