“Ten Tiny Changes”: The Artist’s Way

 

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I’m beginning to realize that my current sensitivity around the state of the world and the state of my own emotional well-being is not just a day or two of the blues. It is a tender stage of life I must make my way through.

At fifty-six, I find myself restless, wondering if I’ve done enough and curious about what more there might be to do and what it might look like. New career? Different town? Stay the course? Get a facelift?

Some folks say I think too much, worry more than I should. Guilty as charged. But I’ve spent a lot of time trying not to be what I am: highly sensitive and hyper aware. And I’m too old for that now. Instead I choose to embrace these qualities and work with them as best I can. There are some upsides: curiosity, empathy, creativity, trustworthiness, and a willingness to hang out in the trenches with people who are hurting. Some of the challenges include: taking on problems that aren’t mine to solve; an inability to filter out what I don’t need to absorb; overreacting to perceived injustices; and accepting what’s mine to do and laying down the rest.

In order to make my way in the world without becoming completely overwhelmed, I need to get quiet and listen deeply—to myself and my Creator. One way I’m doing that right now is by working my way through The Artist’s Way Workbook. The current assignment is to list “Ten Tiny Changes” I’d like to make and then crafting goals from those. This an effective way to streamline what’s important to me. For example, from “I want to publish a book,” I get, “I will write every day.” From “I would like to teach part time,” I move to, “I will apply for the adjunct job at the university.” From “I would like to start my spiritual direction practice,” I come up with, “I will reach out to friends in the spiritual community for advice.” Wanting to lose weight morphs into, “I will walk five times a week.”

It may seem straightforward, like a “no brainer” to those who are more single minded and pragmatic, that you would list your goals and then set about tackling them. But for someone like me, who can become convinced fairly easily that I should be doing something else–or worse, that I should “be” someone else–the act of breaking my goals down into “tiny changes” is helpful. Let’s see how it goes…

Amy Lyles Wilson

P.S. How do you focus and make progress on your goals and dreams?

Upon Waking: Week Two of The Artist’s Way

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I’m two weeks in with The Artist’s Way Workbook, and have done my morning pages every day except for one. Not sure why I forgot that day, but I got right back to it the next morning and I’m glad for the practice. It’s helping me unload some nighttime/early rising thoughts, and providing a sense of both inspiration and accomplishment. I’m not reviewing the pages or belaboring the content, per the instructions, just writing and releasing. I can’t say it necessarily alleviates all that weighs on me, but it’s helping, this practice, and it’s even revealed a couple of story ideas for The Big Project I’m working on.

I’ve taken two Artist Dates, one to garage sales in search of art supplies—found a great drop cloth and paints—and another for a walk, during which the aim was not exercise but nature observation. Captured a few pictures and collected some acorns and horse apples and such. This is not earth-shattering blog content, I realize. But The Artist’s Way is equipping me for building a foundation upon which to rededicate myself to the writing life, a life I have fought against with jobs that don’t suit me and depression that threatens to stifle my efforts and betray my confidence.

“You must love to write and bear the loneliness,” says Robert McKee in Story. “But the love of a good story, of terrific characters and a world driven by your passion, courage, and creative gifts is still not enough. Your goal must be a good story well told.”

From Regret to Writing: Working The Artist’s Way

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I have friends who say they don’t like to use the word “regret,” I guess because they don’t want to admit they’d appreciate a do-over or two. I’m okay with the word, for I think if you don’t have at least a couple of regrets then maybe you haven’t really been living. As for a definition, the dictionary says: “to feel sad, repentant, or disappointed over (something that has happened or been done, especially a loss or missed opportunity).” If you’re telling me you’ve never been blue about a misstep or a neglected chance, I’m not sure I believe you.

Certainly there are things I would have done differently: I wish I’d lived in New England for a while, mainly because I’ve convinced myself everyone there is really smart and attractive in a rugged yet sophisticated sort of way. I would have been less uptight when I was younger, and taken a few more risks.

But the One Real Regret I’ll have is not doing more with my writing. I’m not even sure what that means just yet, but I’m going to find out. And I’m hoping that by talking about it out loud it will become more real somehow.

First step: Making my way through The Artist’s Way Workbook. I’ve long been familiar with Julia Cameron, and have relied on her books in my teaching. When I heard her speak in Santa Monica some twenty-plus years ago, I knew her work would influence me. I just didn’t know it would one day be the creative lifeline I view it to be now.

This week’s exercise focused on “enemies of your creative self worth.” Write it all down, even something that might seem petty, came the instructions. It all matters. So I let rip about some dismissive things said to me as a teen, and a boss I had in my twenties who was so careless with his authority that a year after I’d quit a co-worker called to say he’d just pulled with her what he had with me, telling us we might have chosen the wrong profession, even though there was no evidence to suggest that unless you counted his arrogance. Man do I sometimes wish I could show him how well things worked out for me in that very profession, but I don’t regret not telling him off, for that would just be, well, rude.

It might not make sense for regret to lead me to The Artist’s Way, but it has. And I’m going to trust it’s where I need to be every day for the twelve weeks laid out in the workbook, writing my Morning Pages, doing the exercises, taking my Artist Dates. Listening and learning—or re-learning or un-learning—and reporting back: to myself, to you, to the Creator.

Amy Lyles Wilson

P.S. Do you have a potential One Real Regret? If so, how might you prevent it?

A Good Enough Day

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Upon returning home from an idyllic two-week trip to my favorite place, Chautauqua , I was met by a frantic puppy with sharp little teeth, loads of laundry, work to catch up on, and a world in upheaval. Being the highly sensitive person that I am–a middle-aged goober who can feel overwhelmed in crowds or when witnessing conflict–it all seemed too much. So yesterday I concentrated on the basics: Take a shower, make at least a little progress on an editorial assignment, and keep the two appointments I had scheduled. I’m glad I did, as I’m always made better when I get up and go, even if the movement is slight, like a short walk through my neighborhood. As evening settled over Nashville, I headed for my gratitude journal. This practice of stopping and taking stock both reassures and renews me, and I can get off center fairly easily if I don’t do it. Honoring that which matters is a sacred act.

To wit: Friends who didn’t freak out when I met them for lunch and said, “Good to see you. I may cry while we eat.” Instead, they offered, “Go ahead. We might, too.” The three of us are in that stage of life where we’ve lost—or our losing—our parents; our health is throwing us curve balls; and we’re letting go of some time-bound dreams while still pursuing the ones we care about the most. We are doing the best we can, and we are not giving up even if we have to slow down a bit and order salads instead of cheeseburgers.

In my younger days, I probably thought “good enough” meant I wasn’t living up to my potential, or that I was settling. At this stage of my life, I know it means the freedom and self-assurance to live well, without comparison to others’ accomplishments or accumulations, without wondering “Would my life have been better if…?”

So on this day, I’m thankful for a good therapist, the playfulness of said frantic puppy with the sharp little teeth, a husband who knows how to cook, my writing partner who sat across from me for three hours as we wrote our hearts out, and this amazing sky.

It is good enough and plenty.

Amy Lyles Wilson

P.S. What are you grateful for, at this very minute?

MayBelle on Marriage: Take Two {Who Says MayBelle Isn’t Romantic?}

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Lest MayBelle be labeled “inexcusably unromantic” or “a marriage buzzkill” (not her critics’ exact words), in light of last week’s post on marriage, let her set the record straight by providing intimate and heartwarming examples of the things she and Precious do for one another to show their affection. Don’t panic: This does not involve sexual innuendo.

Every year on their anniversary, Precious works to get gifts from both the “modern” and the “traditional” anniversary gift categories. To wit:

For their third anniversary, leather and crystal, Precious got MayBelle a baseball glove and a crystal baseball paperweight. He started trying to teach MayBelle about baseball when they first got together (Go Cards!), and they would “watch” games together over the phone. Those lessons continue today, as you might imagine if you’re privy to MayBelle’s deep and abiding disinterest in sports.

For their eighth anniversary, when the gifts were linen and bronze, MayBelle actually found a bronze (ish) lamp with a linen shade. It was a flying pig lamp, but Precious appreciated the effort nonetheless.

Precious cooks for MayBelle almost every night, because if they had to rely on MayBelle for food they’d be either really thin or really fat. Plus, he seems to enjoy the hunting down of recipes and the prepping and the chopping and the simmering, deliberate activities that require patience and a decent attention span, both of which MayBelle lacks.

Precious’ parents died before MayBelle came along, so she knows them only through Precious. One Christmas, MayBelle found an old drawing of his mother and had it framed beautifully (thank you Beveled Edge in Nashville) and it made Precious tear up a bit when she gave it to him, so surprised was he.

On another Christmas, when MayBelle had to be out of town for work, doing two things she really doesn’t like to do, fly and be on television, she thought there wouldn’t be time to get a tree due to the timing of her gig. They had agreed they’d “skip the tree this year.” But Precious went ahead and bought one and had it waiting for MayBelle when she got home. There it was, in all its Scotch Pine glory, in the middle of the den. Boy oh boy did that make MayBelle cry.

MayBelle hopes these examples reassure you that romance is alive and well in the MayBelle-Precious household. There are others, but MayBelle believes in leaving some things to the imagination. Plus, Precious is a private kind of guy.

“I think Precious might be more romantic than you,” said a friend, after, apparently, reading last week’s blog post. (This friend happened to be the one Precious called to ask for suggestions about the best spas in town so he could get MayBelle a gift certificate for her birthday.) She might be right. Having long prided herself on “bring practical,” MayBelle could probably stand to amp up her romance game. But she doesn’t let a day go by without telling Precious she loves him, and he seems to think there’s romance enough in that.