In preparation for my upcoming stint as an adjunct professor and writer in residence at the Earlham School of Religion, I’m making my way through all my writing books, to see what I can glean that might be of interest and benefit to the students. I thought about counting how many books I had on the topic, but at about number thirty-eight I became embarrassed because I know, like many of you, that there comes a time in a writer’s life when he has to put down the how-to books and resist the urge to plan yet another trip to a writing conference, and simply, well, write. But we also know it’s not simple. Anything I can to help another person learn to call herself “writer,” I want to do. So I’m starting with my vast library, and I plan to pick out what I think are the juiciest parts and share them with my students. For now, though, I’ll be posting some of them here, in the hopes that you might let me know which resources you rely on most for your work. In the end, I’ll pass along the books I no longer need. Sooner or later I’ll feel compelled to buy some more anyway…
From May Sarton, in A Self-Portrait (Norton, 1982):
“It’s thought and feeling together, this is what makes the poem for me, when you can think and feel at white heat.”
“You have to be willing, as Yeats says, ‘there’s more enterprise in going naked.’ You finally do have to give something terribly intimate and secret of yourself to the world and not care because you have to believe that what you have to say is important enough.”
